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This toe-tapping polka is originally for piano solo and transposed to the keys of A and E major. The melody and harmony float between the violins, with a brief appearance for cello and bass.
The viola section provides a strong rhythmic drive. This work was written and published in 1860 while Bares was still enslaved.
Not only is it a strong example of a composition by a black composer, but also a playable introduction to more complicated key signatures for your orchestra. Grade 4
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